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▼ ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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1416 | Textbeitrag | T-320-03 | Sampling the 1970s in hip-hop | Demeers, Joanna | Popular Music | 22/1 | 2003 | 320 | Dance | HipHop | Stil, Analyse | 2010-09-16 13:55:58 | ||||||||||
1415 | Textbeitrag | T-540-05 | World music or Japanese - the gagaku of Togi Hideki | Lancashire, Terence | Popular Music | 22/1 | 2003 | 540 | Worldmusic | Japanische Hofmusik | Musiker, Werk, Asien | 2010-09-16 13:54:07 | ||||||||||
1414 | Textbeitrag | T-239-04 | Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys | Butler, Mark | Popular Music | 22/1 | 2003 | 239 | Pop/Rock | Video Pop | Musiker, Werk, Text | 2010-09-16 13:50:31 | ||||||||||
1413 | Textbeitrag | T-840-18 | Television's problem with (classical) music | Chanan, Michael | Popular Music | 21/3 | 2002 | 600 | Kunstmusik | Klassik | Stil, Kommunikation, Film, Wirkung | 2010-09-09 14:02:14 | ||||||||||
1412 | Textbeitrag | T-840-17 | Sounds real: music and documentary | Corner, John | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung | 2010-09-09 14:00:23 | ||||||||||||
1411 | Textbeitrag | T-840-16 | From fanfare to funfair: the changing sound world of UK television idents | Brownrigg, Mark / Meech, Peter | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Werbung, Großbritannien | 2010-09-09 13:59:25 | ||||||||||||
1410 | Textbeitrag | T-840-15 | Tracking british television: pop music as stock soundtrack to the small screen | Donnelly, K.J. | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Großbritannien | 2010-09-09 13:57:47 | ||||||||||||
1409 | Textbeitrag | T-840-14 | Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band | Stahl, Matthew | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung, Großbritannien 1960er | 2010-09-09 13:56:13 | ||||||||||||
1408 | Textbeitrag | T-840-13 | Chewing gum for the ears: children's television and popular music | Lury, Karen | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:51:59 | ||||||||||||
1407 | Textbeitrag | T-840-12 | Look! Hear! The uneasy relationship of music and television | Frith, Simon | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:50:27 | ||||||||||||
1406 | Textbeitrag | T-840-11 | "One night on TV is worth weeks at the Paramount": musicians and oppurtunity in early telefision, 1948-55 | Forman, Murray | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung, USA, 1940er, 1950er | 2010-09-09 13:48:05 | ||||||||||||
1405 | Textbeitrag | T-840-10 | Introduction to "Music and Television" | Negus, Keith / Street, John | Popular Music | 21/3 | 2002 | 000 | Theorie, Kommunikation, Film, Wirkung, Forschung | 2010-09-09 13:48:49 | ||||||||||||
1404 | Textbeitrag | T-233-03 | Local scenes and dangerous crossroads: punk and theories of cultural hybridity | O'Connor, Alan | Popular Music | 21/2 | 2002 | 233 | Pop/Rock | Punk | Stil, Großbritannien, Entwicklung | 2010-09-09 13:32:32 | ||||||||||
1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
1402 | Textbeitrag | T-540-04 | "Japanese music" can be popular | De Ferranti, Hughe | Popular Music | 21/2 | 2002 | 540 | World music | "Japanese music" | Stil, Analyse, Asien, Wirkung | 2010-09-09 13:24:36 | ||||||||||
1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
1400 | Textbeitrag | T-850-09 | The racial politics of hybridity and "neo-electism" contemporary popular music | Middleton, Jason / Beebe, Roger | Popular Music | 21/2 | 2002 | 000 | Politik | 2010-09-09 13:17:02 | ||||||||||||
1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 |