PopVoxCon –
The Popular Voice Conference

A meeting point for research, teaching, and the art of the popular voice

Vienna, mdw │ipop | September 8–10, 2026


About the Conference

PopVoxCon is an international 3-day popular voice conference hosted by mdw/iPOP in Vienna dedicated to the evolving world of popular voice. The conference brings together voice teachers, singers, artists, educators, and researchers who are passionate about innovative approaches to popular voice training—both within and beyond academic settings.

Who should attend?

Voice professionals, music educators, students, researchers, artists, and anyone interested in the development of contemporary vocal practice. PopVoxCon is open to contributions and participation from a wide range of backgrounds.

Program Pillars

  • Practical Tools for Teaching Popular Voice
  • Body, Breath & Embodiment in Popular Voice
  • How Singers Learn (Research-Informed)
  • Creativity, Improvisation & Performance Teaching

Key information

Dates: September 8–10, 2026
Venue: mdw – University of Music and Performing Arts Vienna / Future Arts Lab
Participation fee: €50; free participation for students.
Registration is Closed

If you require confirmation for funding, please contact us at: popvoxcon@mdw.ac.at, and include: Name, Affiliation (if applicable) and “Interested in attending” or “Requesting confirmation for funding”
Languages: English, German

Conference Focus

This gathering is practical, creative, and community-driven. The program features hands-on sessions, real-world teaching tools, and a variety of exchange formats:

  • Open Classroom (Learning Zone)
  • Presentations
  • Artist interviews
  • Community sessions
  • Integrated performances

PopVoxCon welcomes both scholarly and non-scholarly perspectives, encouraging dialogue and sharing across disciplines and experience levels.

Open Classroom: The Learning Zone

This format invites educators and artists to share how they actually teach in a real-world setting. Rather than a formal workshop, this is a more open, accessible format focused on practical insight and exchange.

Possible approaches include:

  • Demonstrating a teaching concept or exercise
  • Sharing lesson structures or classroom strategies
  • Working live with participants
  • Showing short video clips of student work
  • Reflecting on teaching processes and challenges

The goal is to create a welcoming, community-focused space where ideas can be shared without the pressure of a formal workshop structure.

PopVoxCon is committed to accessibility, inclusion, and the generous exchange of ideas in the popular voice community. Join us in Vienna for an inspiring and collaborative experience!


PopVoxCon 2026 Details

The Future Arts Lab (Building V) at mdw (Anton-von-Webern-Platz 1, 1030 Vienna) is centrally located and can be reached in less than half an hour by public transport, both from Vienna International Airport and the main train stations.

We recommend the journey by public transport. The mdwCampus can be reached barrier-free from the following stations within 550 meters (approx. 7 minutes on foot): S-Bahn | Wien Mitte, U3 | Landstraße, U4 | Stadtpark or Landstraße and the tram line 0 | Ungargasse/Neulinggasse. The lines run between 05:00 and 00:30 at intervals of 2 to 7 minutes.

There are plenty of bicycle parking spaces available directly at the event venue. The mdwCampus features a WienMobil bike station and a bike service kiosk (Building K).

Two parking spaces for people with physical disabilities are available at Anton-von-Webern-Platz. There are no other parking options for cars.

Tuesday, September 8

Time Format Konzertsaal ArtKino Klangtheater
11:00–14:00 Registration / Arrival Check-in / arrival
14:00–14:15 Whole Group PopVoxCon Welcome & framing (Univ. Prof. Chanda Rule Bernroider, Conference Co-Chair)
14:15–15:15 Whole Group Guided Opening Panel – What Is Popular Voice Pedagogy Now? (Patrik Thurner, Conference Co-Chair)
15:30–16:30 Parallel Workshops Dena DeRose – Phrasing, Interpretation, and Vocal Musicianship in Jazz Singing Sanne Stria – Was tun, wenn die Stimme wegbleibt!?
16:30–16:50 Coffee + Connect Atrium
16:50–17:50 Parallel Workshops Sandra Amon-Kleissner / SAM live – Belting für Anfänger:innen: Ein Estill-basierter Zugang zu kraftvollem Singen ohne Druck Bettina Krenosz & Lisi Hörbinger – Explore Vocal Options in Pop, Rock, Jazz Annette Giesriegl – Gaining Flexibility and Comfortability through Scale-Singing in Indian Music
18:00–19:00 Concert + Artist Talk Efrat Alony – Concert + Q&A

Wednesday, September 9

Time Format Konzertsaal ArtKino Klangtheater
08:30–08:50 Whole Group Group singing (Miriam Steinkühler-Fuchsberger, IPOP)
09:10–10:25 Keynote Keynote – Dr. Trineice Robinson-Martin
10:25–10:45 Coffee + Connect Atrium
10:45–11:45 Parallel Open Classroom/Workshop Patrik Thurner – Too Much Information: An Introduction to the Basic Anatomy of the Voice Anna-Maria Niemand – In-Sync: Coordination in Ensemble Singing
11:55–12:55 Parallel Workshops Ineke Vandoorn – Putting the Voice First: Perspectives on Vocal Improvisation Corinne Mager – The Value of Visual Feedback in Voice Training
12:55–14:25 Lunch
14:25–15:00 Research Presentations Romana Stieger – Up & Down!? Voice and Identity During Transition Kelly Hoppenjans – AI Voice Clones, Embodied Knowledge, and the Future of Voice Work
15:10–15:50 Concert + Parallel Session Chris Tonelli – How to Sound the Multivocal, and What That Sounding Can Do Sabine Stieger – Concert + Q&A
15:50–16:10 Coffee + Connect Atrium
16:10–17:10 Parallel Workshop / Concert Presentation Louisa Gibbs – Is There a Jazz Voice Ankita Deole Damle – Workshop/Concert + Q&A
17:20–18:20 Parallel Workshops Eva Krammer – Complete Vocal Technique: Stimmhygiene und Rehabilitation Birte Dalbauer-Stokkebæk – Mindfulness for Musicians / Upbeat! A Singer’s Story
18:30–20:00 PopVoxCon After Hours Drinks, savory bites & conversation Future Arts Lab & mdw Lawn

Thursday, September 10

Time Format Konzertsaal ArtKino Klangtheater
08:30–08:50 Whole Group Group singing (Mario Mrazek)
09:10–10:25 Keynote Keynote – Dr. Louise Traser
10:25–10:45 Coffee + Connect Atrium
10:45–11:45 Parallel Sessions Sara Simionato – Co-Creative AI as a Tool for Vocal Improvisation and Textural Exploration Anna Niemand & Kristen Murdaugh – Building Your Vocal Toolbox: Breath as a Gateway to Timbre Variation in CCM Katja Reichert – One Voice, Many Solutions: Universal Principles and Style-Specific Choices in Contemporary Vocal Training
11:55–12:55 Panel / Workshops Mario Mrazek & Nina-Katharina Braith-Schall – Do We All Mean the Same Thing? Terminology in Contemporary Commercial Music Voice Pedagogy Linda Kristengård – Vocal Painting: A Way of Improvising with Vocal Music
12:55–14:25 Lunch
14:25–15:25 Parallel Workshops Joanna Sear – Closing the Gaps in Popular Music Singing Pedagogy: What Teacher Training Is Still Needed? Kaveri Sageder – Rhythm in Motion: Indian Rhythm, Groove & Vocal Expression through the Perspective of Kathak Dance
15:35–16:20 Concert + Parallel Session Fiona Stritt / Louisa Traser Research Group – Vocal Tract Efficiency of Different Voice Qualities (15:35–16:10; 25 min presentation + 10 min Q&A) Ursi / Miss BunPun – Concert + Q&A (15:35–16:20; 30 min concert + 15 min Q&A)
16:20–16:40 Coffee + Connect Atrium
16:40–17:45 Community Session Community Session – What Does Popular Voice Pedagogy Need Now?
17:45–18:00 Closing / Next Steps Closing / Next Steps

Dr. Trineice Robinson-Martin
Dr. Trineice Robinson-Martin is a multifaceted talent in the world of music, renowned for her contributions as a vocalist, arranger, scholar, clinician, and educator. The creator of the Soul Ingredients®, Dr. Trineice is dedicated to the performance and voice pedagogy of Black American music styles. Dr. Trineice is the executive director of the African American Jazz Caucus, board vice president for the Jazz Education Network, editorial board member for the Journal of Singing, and a member of the distinguished American Academy of Teachers of Singing.

Her career is marked by a commitment to both performing and developing innovative resources for vocal instruction. Her scholarly work includes the book “So You Want to Sing Gospel,” and numerous contributions to textbooks, peer-reviewed journals, and trade magazines. She is a sought-after keynote speaker and master class instructor, having shared her knowledge at prestigious institutions globally. As a performer, Dr. Trineice maintains a diverse schedule. She has been lauded by New York Music Daily as “an individualist who defies categorization: there’s the immediacy of classic soul music here, coupled with jazz sophistication, gospel rapture, and fervor.” Her debut album, “All Or Nothing,” showcases her dedication to Black American music and culture and features acclaimed artists such as Cyrus Chestnut and Don Braden. Recently named Chair of the Ensemble Dept at Berklee College of Music, Dr. Trineice has been a faculty member at Princeton University for over a decade, where she taught private voice lessons, directed the Jazz Vocal Collective Ensemble, and lectured on African American music and voice pedagogy. She also held an annual residency at Yale University’s Institute for Sacred Music, teaching in the Music in the Black Church Program.

Dr. Louise Traser
Privatdozentin Dr. med. Louisa Traser is a senior physician at the Freiburg Institute for Musicians’ Medicine. She is a specialist in ear, nose, and throat medicine as well as in phoniatrics and pediatric audiology, and works with professional voice users on issues related to laryngology, musicians’ medicine, and laryngeal surgery.

Her research focuses on vocal physiology, particularly the singing voice and contemporary vocal styles. Together with the Department of Radiology and Medical Physics at the University Medical Center Freiburg, she has developed innovative MRI methods for investigating respiratory kinematics, 3D visualization of the vocal tract, and dynamic 3D vocal fold vibration during singing. Her research is documented in numerous scientific publications and is supported by the German Research Foundation.

Since 2019, she has held the Venia Legendi in ear, nose, and throat medicine at the University of Freiburg. Her scientific work has been recognized with awards including the Xion Award from the Union of the European Phoniatricians and the Science Award of the German Society for Music Physiology and Musicians’ Medicine. She is also a trained singer and has sung with the extra chorus of the Deutsche Oper Berlin and Komische Oper Berlin, as well as with Camerata Vocale Freiburg.

Sandra Amon-Kleissner
Belting für Anfänger:innen: Ein Estill-basierter Zugang zu kraftvollem Singen ohne Druck
Format: Workshop
A practical, Estill-based introduction to healthy and accessible belting. Participants explore tools for finding vocal power, clarity, and confidence without pushing, with direct application for singers and teachers working in popular styles.

Birte Dalbauer-Stokkebæk
Mindfulness for Musicians: A Singer’s Story
Format: Workshop
Personal and pedagogical presentation on mindfulness as a support for musical life, vocal health, psychological well-being, and sustainable performance practice.

Dena DeRose
Phrasing, interpretation, and vocal musicianship in jazz singing
Format: Workshop
How can jazz phrasing, lyric work, improvisation, rhythmic feel, and storytelling deepen musicianship in any musical style? Emphasis on authentic interpretation and artistic individuality.

Louisa Gibbs
Is There a Jazz Voice
Format: Workshop
This presentation-workshop explores “jazz” vocals in relation to two originating and crossfertilizing cultural sources and voice use: the blues and popular song and, respectively, the ‘outdoor’ and the ‘indoor’ voice

Annette Giesriegl
Gaining Flexibility and Comfortability through Scale-Singing in Indian Music
Format: Workshop
This workshop uses Indian music concepts such as scale relationships, raga, and improvisational tools to expand flexibility in Western vocal practice. Participants explore deep listening, embodiment, and improvisational language through practical singing exercises.

Bettina Krenosz & Lisi Hörbinger
Explore Vocal Options in Pop, Rock, Jazz
Format: Workshop
This practical session explores vocal colors and stylistic sounds across popular music styles. Through listening, reflection, and guided vocal exercises, participants examine how different sound ideals can be explored consciously, flexibly, and with attention to vocal health.

Linda Kristengård
Vocal Painting: A Way of Improvising with Vocal Music
Format: Workshop / Applied Session
This practical workshop introduces Vocal Painting as a tool for live arranging, composing, rehearsal work, group dynamics, ear training, and ensemble improvisation. Participants explore how shared musical gestures can support collective vocal creation in real time.

Corinne Mager
The Value of Visual Feedback in Voice Training
Format: Workshop
This workshop demonstrates how visual acoustic feedback can support voice learning by helping singers connect sensation, sound, and measurable vocal outcomes. Participants explore pitch, loudness, brightness, clarity, and strategies for more effective independent practice.

Gerald Marko
The Empowered Student: Applying Differentiated Voice Control to Enable Learner Autonomy and Self-Regulation
Format: Workshop
This workshop explores how differentiated voice control can help students become more autonomous, reflective, and creatively courageous. Participants engage with practical tools that support self-regulated learning, peer feedback, and exploratory vocal practice in CCM/popular music settings.

Ellie Martin
Using AI to Help Find Your Songwriting Voice
Format: Open Classroom / Interactive Workshop
This interactive session explores AI as a low-pressure tool for beginning songwriters. Participants generate lyrics with AI, edit them toward more personal expression, and explore how AI-generated musical material can be embodied and transformed through live vocal performance.

Mario Mrazek & Nina-Katharina Braith-Schall
Do We All Mean the Same Thing? Terminology in Contemporary Commercial Music Voice Pedagogy
Format: Guided Panel
This guided panel explores how terms like mix, belt, support, twang, placement, and registration can mean very different things depending on a teacher’s training background or vocal method. The discussion asks how we can communicate more clearly across techniques, classrooms, and institutions.

Kristen Murdaugh
Building Your Vocal Toolbox: Breath as a Gateway to Timbre Variation in CCM
Format: Workshop
This practical workshop connects breath variation to timbre variation in CCM. Participants explore airflow, pressure, resistance, pacing, straw phonation, movement-based breath tasks, and acoustic visualization.

Anna-Maria Niemand
In-Sync: Coordination in Ensemble Singing
Format: Workshop
A practical workshop exploring how singers coordinate with one another in ensemble performance. Through singing, movement, rhythmic interaction, and reflection, participants investigate how shared timing, listening, physical awareness, and joint action shape the experience of performing together.

Katja Reichert
One Voice, Many Solutions: Universal Principles and Style-Specific Choices in Contemporary Vocal Training
Format: Open Classroom / Learning Zone
This interactive Open Classroom explores what stays consistent in healthy, efficient singing—and what we can change to create different sounds and vocal expressions. Through live demonstrations and work with participants, we’ll experiment with practical ways of influencing vocal colour and style, while also looking at what can happen when a new sound challenges a singer’s learned habits—or even their sense of vocal identity.

Kaveri Sageder
Rhythm in Motion: Indian Rhythm, Groove & Vocal Expression through the Perspective of Kathak Dance
Format: Workshop
A practical workshop exploring rhythm, groove, movement, and vocal expression through the lens of Indian Kathak dance. Using body movement, gesture, footwork, and spoken rhythmic syllables, participants experience pulse, breath, improvisation, and musical expression in an embodied way.

Sara Simionato
Co-Creative AI as a Tool for Vocal Improvisation and Textural Exploration
Format: Workshop
This interactive workshop uses co-creative AI as a partner in vocal improvisation, timbral exploration, and collective creation. Participants engage in guided improvisation experiments while exploring authorship, agency, and the role of technology in vocal pedagogy.

Sanne Stria
Was tun, wenn die Stimme wegbleibt!?
Format: Workshop
An interactive vocal health workshop on what singers and teachers can do when the voice becomes tired, unreliable, or disappears. The session includes anatomy, body-based exercises, warm-up strategies, rehearsal/performance do’s and don’ts, and practical prevention tools.

Patrik Thurner
Too Much Information – An Introduction to the Basic Anatomy of the Voice
Format: Open Classroom / Learning Zone
A clear and accessible introduction to the basic anatomy of the voice. This session offers a practical roadmap through the most relevant vocal structures, helping participants zoom in and out of anatomical detail without getting lost.

Ineke Vandoorn
Putting the Voice First: Perspectives on Vocal Improvisation
Format: Workshop
This singer-centered workshop approaches improvisation from the voice itself rather than from instrumental models. Participants explore sound, melody, phrasing, timing, and build-up while developing greater freedom and confidence as improvising singers.

Kelly Hoppenjans
AI Voice Clones, Embodied Knowledge, and the Future of Voice Work
This presentation examines AI voice cloning in relation to singers’ labor, consent, compensation, and embodied vocal knowledge. It brings the future of professional voice work into the pedagogical conversation.

Eva Krammer
Complete Vocal Technique: Stimmhygiene und Rehabilitation
This German-language CVT-based session focuses on vocal hygiene, rehabilitation, voice modes, healthy sound production, and voice function. It offers practical insight for singers and teachers working with vocal health and recovery.

Joanna Sear
Closing the Gaps in Popular Music Singing Pedagogy: What Teacher Training Is Still Needed?
This presentation shares survey research on what training popular music singing teachers have received and what gaps remain, especially in school and higher education contexts. It opens important questions around teacher preparation, institutional responsibility, and the future of popular voice pedagogy.

Romana Stieger
Up & Down!? Voice and Identity During Transition
This presentation explores voice and identity during gender transition, including hormonal influences, vocal self-perception, misgendering, and the search for an authentic voice. It also highlights collaboration between voice therapy and singing pedagogy.

Fiona Stritt / Louisa Traser Research Group
Vocal Tract Efficiency of Different Voice Qualities
This research explores vocal tract efficiency across trained voice qualities, including belting, twang, opera, sob, speech, and falsetto. The presentation connects voice science with practical questions about vocal function and stylistic sound production.

Chris Tonelli
How to Sound the Multivocal, and what that Sounding Can Do
Research presentation on how popular vocal timbres create social meaning, with focus on multivocality, identity, empathy, and the experience of hearing singers as multiple or distributed selves.

Efrat Alony
Berlin-based singer and composer Efrat Alony, originally from Haifa, is one of the distinctive voices in European jazz. Her album Hollywood Isn’t Calling won Best Vocal Album of the Year at the 2022 German Jazz Awards, and her recent release Händel-Fast Forward received the 2024 Opus Klassik Award in the category Classical Music Without Borders. In her work, Alony moves between jazz, composition, storytelling, and classical influences, building bridges between musical worlds with a voice that is fully her own.

Dr. Ankita Deole Damle
Dr. Ankita Deole Damle is a Hindustani classical vocalist and scholar, trained for over two decades under Vidushi Padma Talwalkar and rooted in the Jaipur-Atrauli, Gwalior, and Kirana traditions. She performs internationally and teaches students around the world, sharing the rich talim she has received from her gurus through concerts, workshops, and lecture-demonstrations.

Miss BunPun
Miss BunPun mixes cheeky rap with smooth R&B vocals, bringing together sharp beats, glittering hooks, and lyrics with a clear point of view. Her songs are empowering, queer-feminist, anti-racist, and socially aware, speaking to themes such as body positivity, LGBTQIA+ visibility, patriarchal structures, and resistance to discrimination. With humor, confidence, and high energy, she turns serious topics into music that moves both the body and the mind.

Sabine Stieger
Sabine Stieger is an Austrian singer, musician, composer, and lyricist based in Vienna. Known for her work with the crossover group Global.Kryner and her solo Austro-Chanson project, she has released and contributed to numerous albums and received awards including the Amadeus Music Award and the Prix Pantheon. Alongside her artistic work, she teaches voice and performance, with a focus on interpretation, vocal opening, soul, blues, and music transformation.

Here you will find a list of hotels or guesthouses that are either within walking distance or with good connections to public transport. Some of them are certified with the Austrian Ecolabel and are therefore especially recommended.

Mercure Grand Hotel Biedermeier Wien****
Landstraßer Hauptstraße 28, 1030 Wien
(3 minutes walk)
„MDW PopVoxCon 406139“ for special conference rates
(Reservation form)

magdas HOTEL
Ungargasse 38, 1030 Wien
(5 minutes walk)

HiLight Suites Hotel
Salesianergasse 2, 1030 Vienna
(6 minutes walk)

Self-Catering option (apartments):
b(l)ackhome – Vienna City Center
Neulinggasse 29, 1030 Wien
(6 minute walk)

Kibi Rooms GmbH***
Landstraßer Hauptstraße 33, 1030 Wien
(10 minutes walk)

NH Wien Belvedere****
Rennweg 12a, 1030 Wien
(10 minutes walk)

Lindner Hotel Vienna am Belvedere
Rennweg 12, 1030 Wien
(10 minutes walk)

Enzian Hotel Vienna
Rennweg 51, 1030 Vienna
(15 minutes walk)

Hotel Kunsthof***
Mühlfeldgasse 13, 1020 Wien
(13 minutes with public transportation)

WOMBATS Hostel am Naschmarkt GmbH
Rechte Wienzeile 35, 1040 Wien
(13 minutes with public transportation)

Hotel Praterstern
Mayergasse 6, 1020 Wien
(14 minutes with public transportation)

Novotel Wien City Hotel****
Aspernbrückengasse 1, 1020 Wien
(14 minutes with public transportation)

Motel One Wien-Westbahnhof
Europaplatz 3, 1150 Wien
(15 minutes with public transportation)

Motel One Wien-Staatsoper
Elisabethstraße 5, 1010 Wien
(15 minutes with public transportation)

Ruby Marie Hotel & Bar
Kaiserstraße 2-4, 1070 Wien
(17 minutes with public transportation)

Ibis Wien Hauptbahnhof***
Canettistraße 8, 1100 Wien
(19 minutes with public transportation)

Meininger Hotel Wien Downtown Franz
Rembrandtstraße 21, 1020 Wien
(19 minutes with public transportation)

Network: mdw-guest

Username: PopVoxCon

Password: Popvocxon2026

Coming Soon!

The conference takes place at the Future Art Lab, Anton-von-Webern-Platz 1, 1030 Vienna. The campus is a short walk from Wien Mitte and Stadtpark, with plenty of options for lunch, coffee, or dinner nearby.

Mensa at mdw
Anton-von-Webern-Platz 1, 1030 Vienna
The easiest option is right on campus. The Mensa am mdw-Campus offers changing daily meals, snacks, and regional dishes, with an emphasis on seasonal and regional ingredients.
https://www.mdw.ac.at/mensa/

Sajado Invalidenstraße
Invalidenstraße 13, 1030 Vienna
Asian fusion and sushi near Wien Mitte. A good option for a relaxed sit-down lunch or dinner.
https://www.sajado.at/invalidenstrasse-sajado

Pizzeria Grado
Beatrixgasse 26, 1030 Vienna
A neighborhood Italian restaurant and pizzeria with a long history in Vienna. A nice choice for a sit-down pizza or Italian meal.
https://pizzeria-grado.at/

Gmoakeller
Am Heumarkt 25, 1030 Vienna
A historic Viennese Wirtshaus near the Konzerthaus, serving traditional Austrian and Viennese dishes. A good choice for visitors who want a more classic local meal.
https://www.gmoakeller.at/en/

Sattva Vegan
Apostelgasse 29–31, 1030 Vienna
A fully vegan restaurant in the 3rd district, especially useful for lunch, with changing plant-based dishes.
https://www.sattva-vegan.at/

Rush Hour Chinese Eatery
Invalidenstraße 17, 1030 Vienna
A casual Chinese eatery serving noodles, dumplings, and Chinese comfort food. Good for something quick and informal.
https://www.rushhour.at/

VAPIANO Wien Mitte
Landstraßer Hauptstraße 1B, 1030 Vienna
Pasta, pizza, salads, and other casual Italian dishes. Convenient for groups with different tastes and very close to Wien Mitte.
https://www.vapiano.at/en/restaurants/wien-mitte-landstrasze/

PopVoxCon takes place in Vienna’s 3rd district, just beyond the historic city center and within easy reach of some of the city’s most beautiful green spaces, architecture, and cultural landmarks.

A short walk from the mdw campus brings you to Stadtpark, one of Vienna’s best-known parks. Stroll beneath the trees, take a coffee break, or simply use the park as a green route toward the city center.

Continue toward the city and you’ll quickly reach the Ringstraße, Vienna Konzerthaus, and the historic center. If you want a little Vienna pop culture along the way, you can also stop at FALCO’s Restaurant-Bar-Club at Schwarzenbergplatz, inspired by one of Austria’s most iconic pop artists.

In the other direction, the 3rd district reveals a different side of Vienna: elegant residential streets, small cafés, embassy buildings, and some of the city’s most distinctive architecture.

Architecture lovers can walk toward the Hundertwasser House, with its colorful façade, irregular forms, and rooftop greenery, and then continue to Kunst Haus Wien, where Hundertwasser’s work meets contemporary art, photography, architecture, and ecology.

Art lovers can head toward the Lower Belvedere and the Belvedere gardens. From there, it is easy to continue toward the Upper Belvedere, Karlsplatz, and Vienna’s historic center.

And if you simply want to wander: leave yourself a little time. Vienna is a city of courtyards, cafés, unexpected churches, music, gardens, and beautiful streets — and many of its best moments happen somewhere between where you were going and where you end up.

Vienna is famous for its history, but there is also a vibrant contemporary side to the city — live music, independent culture, contemporary art, nightlife, food, and plenty to discover between conference sessions.


Vienna.info – Official Vienna City Guide
A great starting point for exploring Vienna, with information on neighborhoods, sights, food, culture, events, and practical tips for your stay.

Vienna Würstelstand – A Local Take on Vienna
An English-language city magazine with an alternative perspective on Vienna. Find recommendations for exhibitions, concerts, events, restaurants, cafés, nightlife, and things happening around town.

MuseumsQuartier Wien – Art, Culture & Hangout
One of the world’s largest cultural districts, bringing together contemporary art, performance, architecture, cafés, courtyards, and public spaces. Even if you don’t visit a museum, the MuseumsQuartier is a great place to wander, meet, and experience a more contemporary side of Vienna.

Gürtel Live – Clubs & Live Music
Explore the bars, clubs, and music venues beneath the arches of Vienna’s Gürtel. This stretch of the city is home to indie, alternative, electronic, jazz, pop, and live music venues including Chelsea, B72, Rhiz, Kramladen, and others.

Getting Around Vienna – Wiener Linien
Vienna has an extensive network of U-Bahn, tram, and bus lines. Use Wiener Linien for route planning, public transport information, and tickets.

What’s Happening at mdw
PopVoxCon takes place at the University of Music and Performing Arts Vienna — but there is much more happening across the university. The mdw event calendar includes concerts, performances, workshops, lectures, artistic research, film, pop & jazz, and other events, many of them free to attend.

Chanda Rule Bernroider
Chanda Rule Bernroider is a singer, songwriter, researcher, and Professor of Popular Voice Studies at the Institute of Popular Music at mdw. Rooted in gospel, soul, and jazz, her work brings together performance, vocal pedagogy, storytelling, improvisation, and community singing.

With more than 25 years of international performance experience, she has appeared at venues including Jazz at Lincoln Center, the Vienna Konzerthaus, Brucknerhaus Linz, Tchaikovsky Hall Moscow, and Porgy & Bess Vienna, and has collaborated with artists including Kirk Lightsey, Donny McCaslin, David Murray, Ike Sturm, and Michael Mayo. Her recordings span jazz, gospel, soul, and contemporary cross-genre work. Chanda´s research focuses on gospel music, community singing, embodiment, agency, and the transformative potential of collective vocal practice. She has presented her work internationally and published on these topics in academic and peer-reviewed contexts. Alongside her university teaching, she has led workshops in gospel, popular voice, community song, and performance for more than 20 years.


Philipp Sageder
Philipp Sageder is a versatile vocalist, composer, producer, vocal educator, and Senior Lecturer at iPOP/mdw. He is best known as a member of the vocal groove project Bauchklang, with whom he has performed more than 900 concerts in 90 countries, released five studio albums and two live DVDs, and received five Amadeus Awards. His work with the ensemble reflects a deep engagement with rhythm, voice, groove, and collective sound-making.

Philipp completed his training as a CVT Authorised Teacher at the Complete Vocal Institute in Copenhagen in 2014. He studied jazz voice at the Anton Bruckner University, graduating with distinction in 2004. Alongside his performance career, he has worked as a composer and workshop leader in a wide range of settings. Together with Johannes Berauer, he composed Herzfluss for the 2008 Klangwolke in Linz, and he has led musical workshops for participants in the Burgtheater Wien project Stadtrecherchen. His solo performances have taken him to venues including the Musikverein Wien and Theater Rampe Stuttgart.

As an educator, Philipp offers workshops for people of all ages, focusing on rhythm, ensemble work, choir and vocal techniques, solo singing, and Indian rhythm. As a producer, composer, musician, and studio and live singer, he contributes to projects across contemporary dance, crossover classical productions, film music, electronic music, soul, jazz, and beyond.

Patrik Thurner
Patrik Thurner is a singer, composer/arranger, vocal teacher, choir director, and Senior Lecturer at iPOP/mdw – the Institute of Popular Music at the University of Music and Performing Arts Vienna. Based in Graz, Austria, he also teaches jazz/pop voice at the Johann-Joseph-Fux Conservatory.

He studied jazz voice performance, instrumental and vocal pedagogy in jazz voice, and jazz composition at the University of Music and Performing Arts Graz. His vocal teaching is also shaped by extensive specialist training: he is an Estill Master Trainer and Estill Mentor & Course Instructor (EMCI) in Estill Voice Training, as well as a certified Vocal Health First Aider through Vocal Health Education.

Patrik is the founder of the acclaimed a cappella group E NINE O FOUR, with whom he has won numerous prizes at international a cappella competitions. His newest project, STYV – Styrian Voices, brings together four coaches to mentor and develop a youth pop choir in Styria. He is also the artistic director and organizer of vokal.total, the renowned international a cappella competition held annually in Graz.

General Information
popvoxcon(at)mdw.ac.at

Conference Team
Chanda Rule Bernroider
rule-bernroider(at)mdw.ac.at

Philipp Sageder
sageder(at)mdw.ac.at

Patrik Thurner
thurner(at)mdw.ac.at