PopVoxCon –
The Popular Voice Conference

A meeting point for research, teaching, and the art of the popular voice

Vienna, mdw │ipop | September 8–10, 2026


About the Conference

PopVoxCon is an international 3-day popular voice conference hosted by mdw/iPOP in Vienna dedicated to the evolving world of popular voice. The conference brings together voice teachers, singers, artists, educators, and researchers who are passionate about innovative approaches to popular voice training—both within and beyond academic settings.

Who should attend?

Voice professionals, music educators, students, researchers, artists, and anyone interested in the development of contemporary vocal practice. PopVoxCon is open to contributions and participation from a wide range of backgrounds.

Program Pillars

  • Practical Tools for Teaching Popular Voice
  • Body, Breath & Embodiment in Popular Voice
  • How Singers Learn (Research-Informed)
  • Creativity, Improvisation & Performance Teaching

Key information

Dates: September 8–10, 2026
Venue: mdw – University of Music and Performing Arts Vienna / ipop
Participation fee: €50; free participation for students.
Registration is Open! Registration is open until Monday, 17 August or until capacity is reached. Please Register via the menu below ⬇️

If you require confirmation for funding, please contact us at: popvoxcon@mdw.ac.at, and include: Name, Affiliation (if applicable) and “Interested in attending” or “Requesting confirmation for funding”
Languages: English, German

Conference Focus

This gathering is practical, creative, and community-driven. The program features hands-on sessions, real-world teaching tools, and a variety of exchange formats:

  • Open Classroom (Learning Zone)
  • Presentations
  • Artist interviews
  • Community sessions
  • Integrated performances

PopVoxCon welcomes both scholarly and non-scholarly perspectives, encouraging dialogue and sharing across disciplines and experience levels.

Open Classroom: The Learning Zone

This format invites educators and artists to share how they actually teach in a real-world setting. Rather than a formal workshop, this is a more open, accessible format focused on practical insight and exchange.

Possible approaches include:

  • Demonstrating a teaching concept or exercise
  • Sharing lesson structures or classroom strategies
  • Working live with participants
  • Showing short video clips of student work
  • Reflecting on teaching processes and challenges

The goal is to create a welcoming, community-focused space where ideas can be shared without the pressure of a formal workshop structure.

PopVoxCon is committed to accessibility, inclusion, and the generous exchange of ideas in the popular voice community. Join us in Vienna for an inspiring and collaborative experience!


PopVoxCon 2026 Details

We look forward to welcoming you! Registration is open until Monday, 17 August 2026, 12:00 noon, or until capacity is reached.
Once capacity is reached, a waiting list will be created, and participants will be contacted in order of registration if places become available.

Participation fee
Regular participation: €50
Students: free

Payment is possible by bank transfer.

Bank details
Account holder: Universität für Musik und darstellende Kunst Wien
IBAN: AT12 1200 0514 2859 0201
BIC: BKAUATWW
Purpose / Verwendungszweck required: SO15NT05 / full name of participant

Please note that registration is only complete once the form has been submitted and, where applicable, the participation fee has been paid.

Coming Soon

Dr. Trineice Robinson-Martin
Dr. Trineice Robinson-Martin is a multifaceted talent in the world of music, renowned for her contributions as a vocalist, arranger, scholar, clinician, and educator. The creator of the Soul Ingredients®, Dr. Trineice is dedicated to the performance and voice pedagogy of Black American music styles. Dr. Trineice is the executive director of the African American Jazz Caucus, board vice president for the Jazz Education Network, editorial board member for the Journal of Singing, and a member of the distinguished American Academy of Teachers of Singing.

Her career is marked by a commitment to both performing and developing innovative resources for vocal instruction. Her scholarly work includes the book “So You Want to Sing Gospel,” and numerous contributions to textbooks, peer-reviewed journals, and trade magazines. She is a sought-after keynote speaker and master class instructor, having shared her knowledge at prestigious institutions globally. As a performer, Dr. Trineice maintains a diverse schedule. She has been lauded by New York Music Daily as “an individualist who defies categorization: there’s the immediacy of classic soul music here, coupled with jazz sophistication, gospel rapture, and fervor.” Her debut album, “All Or Nothing,” showcases her dedication to Black American music and culture and features acclaimed artists such as Cyrus Chestnut and Don Braden. Recently named Chair of the Ensemble Dept at Berklee College of Music, Dr. Trineice has been a faculty member at Princeton University for over a decade, where she taught private voice lessons, directed the Jazz Vocal Collective Ensemble, and lectured on African American music and voice pedagogy. She also held an annual residency at Yale University’s Institute for Sacred Music, teaching in the Music in the Black Church Program.

Dr. Louise Traser
Privatdozentin Dr. med. Louisa Traser is a senior physician at the Freiburg Institute for Musicians’ Medicine. She is a specialist in ear, nose, and throat medicine as well as in phoniatrics and pediatric audiology, and works with professional voice users on issues related to laryngology, musicians’ medicine, and laryngeal surgery.

Her research focuses on vocal physiology, particularly the singing voice and contemporary vocal styles. Together with the Department of Radiology and Medical Physics at the University Medical Center Freiburg, she has developed innovative MRI methods for investigating respiratory kinematics, 3D visualization of the vocal tract, and dynamic 3D vocal fold vibration during singing. Her research is documented in numerous scientific publications and is supported by the German Research Foundation.

Since 2019, she has held the Venia Legendi in ear, nose, and throat medicine at the University of Freiburg. Her scientific work has been recognized with awards including the Xion Award from the Union of the European Phoniatricians and the Science Award of the German Society for Music Physiology and Musicians’ Medicine. She is also a trained singer and has sung with the extra chorus of the Deutsche Oper Berlin and Komische Oper Berlin, as well as with Camerata Vocale Freiburg.

Coming Soon.

Coming Soon

Coming Soon

Chanda Rule Bernroider
Chanda Rule is a singer, songwriter, researcher, and Professor of Popular Voice Studies at ipop Institut für Popularmusik at mdw. Rooted in gospel, soul, and jazz, her work bridges performance, pedagogy, storytelling, and community singing.

With over 25 years of international performance experience, 20 years of leading workshops, and 8 years of university teaching, Chanda’s approach is experiential, breath-centered, playful, and soul-focused. She supports singers in discovering their individual sound — like an invisible fingerprint — while building a healthy, expressive, and sustainable vocal practice.

Her research explores gospel music, community singing, embodiment, and the transformative power of the voice, and has been shared through conferences, publications, and peer-reviewed journals.

Philipp Sageder
Philipp Sageder is a versatile vocalist, composer, producer, vocal educator, and Senior Lecturer at iPOP/mdw. He is best known as a member of the vocal groove project Bauchklang, with whom he has performed more than 900 concerts in 90 countries, released five studio albums and two live DVDs, and received five Amadeus Awards. His work with the ensemble reflects a deep engagement with rhythm, voice, groove, and collective sound-making.

Philipp completed his training as a CVT Authorised Teacher at the Complete Vocal Institute in Copenhagen in 2014. He studied jazz voice at the Anton Bruckner University, graduating with distinction in 2004. Alongside his performance career, he has worked as a composer and workshop leader in a wide range of settings. Together with Johannes Berauer, he composed Herzfluss for the 2008 Klangwolke in Linz, and he has led musical workshops for participants in the Burgtheater Wien project Stadtrecherchen. His solo performances have taken him to venues including the Musikverein Wien and Theater Rampe Stuttgart.

As an educator, Philipp offers workshops for people of all ages, focusing on rhythm, ensemble work, choir and vocal techniques, solo singing, and Indian rhythm. As a producer, composer, musician, and studio and live singer, he contributes to projects across contemporary dance, crossover classical productions, film music, electronic music, soul, jazz, and beyond.

Patrik Thurner
Patrik Thurner is a singer, composer/arranger, vocal teacher, choir director, and Senior Lecturer at iPOP/mdw – the Institute of Popular Music at the University of Music and Performing Arts Vienna. Based in Graz, Austria, he also teaches jazz/pop voice at the Johann-Joseph-Fux Conservatory.

He studied jazz voice performance, instrumental and vocal pedagogy in jazz voice, and jazz composition at the University of Music and Performing Arts Graz. His vocal teaching is also shaped by extensive specialist training: he is an Estill Master Trainer and Estill Mentor & Course Instructor (EMCI) in Estill Voice Training, as well as a certified Vocal Health First Aider through Vocal Health Education.

Patrik is the founder of the acclaimed a cappella group E NINE O FOUR, with whom he has won numerous prizes at international a cappella competitions. His newest project, STYV – Styrian Voices, brings together four coaches to mentor and develop a youth pop choir in Styria. He is also the artistic director and organizer of vokal.total, the renowned international a cappella competition held annually in Graz.

Here you will find a list of hotels or guesthouses that are either within walking distance or with good connections to public transport. Some of them are certified with the Austrian Ecolabel and are therefore especially recommended.

magdas HOTEL
Ungargasse 38, 1030 Wien
(5 minutes walk)

Mercure Grand Hotel Biedermeier Wien****
Landstraßer Hauptstraße 28, 1030 Wien
(3 minutes walk)

Enzian Hotel Vienna
Rennweg 51, 1030 Vienna
(15 minutes walk)

Kibi Rooms GmbH***
Landstraßer Hauptstraße 33, 1030 Wien
(10 minutes walk)

NH Wien Belvedere****
Rennweg 12a, 1030 Wien
(10 minutes walk)

Hotel Kunsthof***
Mühlfeldgasse 13, 1020 Wien
(13 minutes with public transportation)

WOMBATS Hostel am Naschmarkt GmbH
Rechte Wienzeile 35, 1040 Wien
(13 minutes with public transportation)

Hotel Praterstern
Mayergasse 6, 1020 Wien
(14 minutes with public transportation)

Novotel Wien City Hotel****
Aspernbrückengasse 1, 1020 Wien
(14 minutes with public transportation)

Motel One Wien-Westbahnhof
Europaplatz 3, 1150 Wien
(15 minutes with public transportation)

Motel One Wien-Staatsoper
Elisabethstraße 5, 1010 Wien
(15 minutes with public transportation)

Ruby Marie Hotel & Bar
Kaiserstraße 2-4, 1070 Wien
(17 minutes with public transportation)

Ibis Wien Hauptbahnhof***
Canettistraße 8, 1100 Wien
(19 minutes with public transportation)

Meininger Hotel Wien Downtown Franz
Rembrandtstraße 21, 1020 Wien
(19 minutes with public transportation)

The venue (Anton-von-Webern-Platz 1, 1030 Vienna) is centrally located and can be reached in less than half an hour by public transport, both from Vienna International Airport and the main train stations.

We recommend the journey by public transport. The mdwCampus can be reached barrier-free from the following stations within 550 meters (approx. 7 minutes on foot): S-Bahn | Wien Mitte, U3 | Landstraße, U4 | Stadtpark or Landstraße and the tram line 0 | Ungargasse/Neulinggasse. The lines run between 05:00 and 00:30 at intervals of 2 to 7 minutes.

There are plenty of bicycle parking spaces available directly at the event venue. The mdwCampus features a WienMobil bike station and a bike service kiosk (Building K).

Two parking spaces for people with physical disabilities are available at Anton-von-Webern-Platz. There are no other parking options for cars.

General Information
popvoxcon(at)mdw.ac.at

Conference Team
Chanda Rule Bernroider
rule-bernroider(at)mdw.ac.at

Philipp Sageder
sageder(at)mdw.ac.at

Patrik Thurner
thurner(at)mdw.ac.at