PopVoxCon –
The Popular Voice Conference
A meeting point for research, teaching, and the art of the popular voice
Vienna, mdw │ipop | September 8–10, 2026
Open Classroom • Performances • Community • Inspiration
About the Conference
PopVoxCon is an international 3-day popular voice conference hosted by mdw/iPOP in Vienna dedicated to the evolving world of popular voice. The conference brings together voice teachers, singers, artists, educators, and researchers who are passionate about innovative approaches to popular voice training—both within and beyond academic settings.
Who should attend?
Voice professionals, music educators, students, researchers, artists, and anyone interested in the development of contemporary vocal practice. PopVoxCon is open to contributions and participation from a wide range of backgrounds.
Program Pillars
- Practical Tools for Teaching Popular Voice
- Body, Breath & Embodiment in Popular Voice
- How Singers Learn (Research-Informed)
- Creativity, Improvisation & Performance Teaching
Key information
Dates: September 8–10, 2026
Venue: mdw – University of Music and Performing Arts Vienna / ipop
Participation fee: €50; free participation for students.
Registration is Open! Registration is open until Monday, 17 August or until capacity is reached. Please Register via the menu below ⬇️
If you require confirmation for funding, please contact us at: popvoxcon@mdw.ac.at, and include: Name, Affiliation (if applicable) and “Interested in attending” or “Requesting confirmation for funding”
Languages: English, German
Conference Focus
This gathering is practical, creative, and community-driven. The program features hands-on sessions, real-world teaching tools, and a variety of exchange formats:
- Open Classroom (Learning Zone)
- Presentations
- Artist interviews
- Community sessions
- Integrated performances
PopVoxCon welcomes both scholarly and non-scholarly perspectives, encouraging dialogue and sharing across disciplines and experience levels.
Open Classroom: The Learning Zone
This format invites educators and artists to share how they actually teach in a real-world setting. Rather than a formal workshop, this is a more open, accessible format focused on practical insight and exchange.
Possible approaches include:
- Demonstrating a teaching concept or exercise
- Sharing lesson structures or classroom strategies
- Working live with participants
- Showing short video clips of student work
- Reflecting on teaching processes and challenges
The goal is to create a welcoming, community-focused space where ideas can be shared without the pressure of a formal workshop structure.
PopVoxCon is committed to accessibility, inclusion, and the generous exchange of ideas in the popular voice community. Join us in Vienna for an inspiring and collaborative experience!
PopVoxCon 2026 Details
We look forward to welcoming you! Registration is open until Monday, 17 August 2026, 12:00 noon, or until capacity is reached.
Once capacity is reached, a waiting list will be created, and participants will be contacted in order of registration if places become available.
Participation fee
Regular participation: €50
Students: free
Payment is possible by bank transfer.
Bank details
Account holder: Universität für Musik und darstellende Kunst Wien
IBAN: AT12 1200 0514 2859 0201
BIC: BKAUATWW
Purpose / Verwendungszweck required: SO15NT05 / full name of participant
Please note that registration is only complete once the form has been submitted and, where applicable, the participation fee has been paid.
Dr. Trineice Robinson-Martin
Dr. Trineice Robinson-Martin is a multifaceted talent in the world of music, renowned for her contributions as a vocalist, arranger, scholar, clinician, and educator. The creator of the Soul Ingredients®, Dr. Trineice is dedicated to the performance and voice pedagogy of Black American music styles. Dr. Trineice is the executive director of the African American Jazz Caucus, board vice president for the Jazz Education Network, editorial board member for the Journal of Singing, and a member of the distinguished American Academy of Teachers of Singing.
Her career is marked by a commitment to both performing and developing innovative resources for vocal instruction. Her scholarly work includes the book “So You Want to Sing Gospel,” and numerous contributions to textbooks, peer-reviewed journals, and trade magazines. She is a sought-after keynote speaker and master class instructor, having shared her knowledge at prestigious institutions globally. As a performer, Dr. Trineice maintains a diverse schedule. She has been lauded by New York Music Daily as “an individualist who defies categorization: there’s the immediacy of classic soul music here, coupled with jazz sophistication, gospel rapture, and fervor.” Her debut album, “All Or Nothing,” showcases her dedication to Black American music and culture and features acclaimed artists such as Cyrus Chestnut and Don Braden. Recently named Chair of the Ensemble Dept at Berklee College of Music, Dr. Trineice has been a faculty member at Princeton University for over a decade, where she taught private voice lessons, directed the Jazz Vocal Collective Ensemble, and lectured on African American music and voice pedagogy. She also held an annual residency at Yale University’s Institute for Sacred Music, teaching in the Music in the Black Church Program.
Dr. Louise Traser
Privatdozentin Dr. med. Louisa Traser is a senior physician at the Freiburg Institute for Musicians’ Medicine. She is a specialist in ear, nose, and throat medicine as well as in phoniatrics and pediatric audiology, and works with professional voice users on issues related to laryngology, musicians’ medicine, and laryngeal surgery.
Her research focuses on vocal physiology, particularly the singing voice and contemporary vocal styles. Together with the Department of Radiology and Medical Physics at the University Medical Center Freiburg, she has developed innovative MRI methods for investigating respiratory kinematics, 3D visualization of the vocal tract, and dynamic 3D vocal fold vibration during singing. Her research is documented in numerous scientific publications and is supported by the German Research Foundation.
Since 2019, she has held the Venia Legendi in ear, nose, and throat medicine at the University of Freiburg. Her scientific work has been recognized with awards including the Xion Award from the Union of the European Phoniatricians and the Science Award of the German Society for Music Physiology and Musicians’ Medicine. She is also a trained singer and has sung with the extra chorus of the Deutsche Oper Berlin and Komische Oper Berlin, as well as with Camerata Vocale Freiburg.
Kelly Hoppenjans
AI Voice Clones, Embodied Knowledge, and the Future of Voice Work
This presentation examines AI voice cloning in relation to singers’ labor, consent, compensation, and embodied vocal knowledge. It brings the future of professional voice work into the pedagogical conversation.
Eva Krammer
Complete Vocal Technique: Stimmhygiene und Rehabilitation
This German-language CVT-based session focuses on vocal hygiene, rehabilitation, voice modes, healthy sound production, and voice function. It offers practical insight for singers and teachers working with vocal health and recovery.
Joanna Sear
Closing the Gaps in Popular Music Singing Pedagogy: What Teacher Training Is Still Needed?
This presentation shares survey research on what training popular music singing teachers have received and what gaps remain, especially in school and higher education contexts. It opens important questions around teacher preparation, institutional responsibility, and the future of popular voice pedagogy.
Romana Stieger
Up & Down!? Voice and Identity During Transition
This session explores voice and identity during transition.
Fiona Stritt / Louisa Traser Research Group
Vocal Tract Efficiency of Different Voice Qualities
This research explores vocal tract efficiency across trained voice qualities, including belting, twang, opera, sob, speech, and falsetto. The presentation connects voice science with practical questions about vocal function and stylistic sound production.
Chris Tonelli
How to Sound the Multivocal, and what that Sounding Can Do
Research presentation on how popular vocal timbres create social meaning, with focus on multivocality, identity, empathy, and the experience of hearing singers as multiple or distributed selves.
Sandra Amon-Kleissner
Belting für Anfänger:innen: Ein Estill-basierter Zugang zu kraftvollem Singen ohne Druck
Format: Workshop
A practical, Estill-based introduction to healthy and accessible belting. Participants explore tools for finding vocal power, clarity, and confidence without pushing, with direct application for singers and teachers working in popular styles.
Louisa Gibbs
Is There a Jazz Voice
Format: Workshop
This presentation-workshop explores “jazz” vocals in relation to two originating and crossfertilizing cultural sources and voice use: the blues and popular song and, respectively, the ‘outdoor’ and the ‘indoor’ voice
Annette Giesriegl
Gaining Flexibility and Comfortability through Scale-Singing in Indian Music
Format: Workshop
This workshop uses Indian music concepts such as scale relationships, raga, and improvisational tools to expand flexibility in Western vocal practice. Participants explore deep listening, embodiment, and improvisational language through practical singing exercises.
Bettina Krenosz
Explore Vocal Options in Pop, Rock, Jazz
Format: Workshop
This practical session explores vocal colors and stylistic sounds across popular music styles. Through listening, reflection, and guided vocal exercises, participants examine how different sound ideals can be explored consciously, flexibly, and with attention to vocal health.
Linda Kristengård
Vocal Painting: A Way of Improvising with Vocal Music
Format: Workshop / Applied Session
This practical workshop introduces Vocal Painting as a tool for live arranging, composing, rehearsal work, group dynamics, ear training, and ensemble improvisation. Participants explore how shared musical gestures can support collective vocal creation in real time.
Corinne Mager
The Value of Visual Feedback in Voice Training
Format: Workshop
This workshop demonstrates how visual acoustic feedback can support voice learning by helping singers connect sensation, sound, and measurable vocal outcomes. Participants explore pitch, loudness, brightness, clarity, and strategies for more effective independent practice.
Gerald Marko
The Empowered Student: Applying Differentiated Voice Control to Enable Learner Autonomy and Self-Regulation
Format: Workshop
This workshop explores how differentiated voice control can help students become more autonomous, reflective, and creatively courageous. Participants engage with practical tools that support self-regulated learning, peer feedback, and exploratory vocal practice in CCM/popular music settings.
Ellie Martin
Using AI to Help Find Your Songwriting Voice
Format: Open Classroom / Interactive Workshop
This interactive session explores AI as a low-pressure tool for beginning songwriters. Participants generate lyrics with AI, edit them toward more personal expression, and explore how AI-generated musical material can be embodied and transformed through live vocal performance.
Mario Mrazek & Nina-Katharina Braith-Schall
Do We All Mean the Same Thing? Terminology in Contemporary Commercial Music Voice Pedagogy
Format: Guided Panel
This guided panel explores how terms like mix, belt, support, twang, placement, and registration can mean very different things depending on a teacher’s training background or vocal method. The discussion asks how we can communicate more clearly across techniques, classrooms, and institutions.
Kristen Murdaugh
Building Your Vocal Toolbox: Breath as a Gateway to Timbre Variation in CCM
Format: Workshop
This practical workshop connects breath variation to timbre variation in CCM. Participants explore airflow, pressure, resistance, pacing, straw phonation, movement-based breath tasks, and acoustic visualization.
Anna-Maria Niemand
In-Sync: Coordination in Ensemble Singing
Format: Workshop
A practical workshop exploring how singers coordinate with one another in ensemble performance. Through singing, movement, rhythmic interaction, and reflection, participants investigate how shared timing, listening, physical awareness, and joint action shape the experience of performing together.
Kaveri Sageder
Rhythm in Motion: Indian Rhythm, Groove & Vocal Expression through the Perspective of Kathak Dance
Format: Workshop
A practical workshop exploring rhythm, groove, movement, and vocal expression through the lens of Indian Kathak dance. Using body movement, gesture, footwork, and spoken rhythmic syllables, participants experience pulse, breath, improvisation, and musical expression in an embodied way.
Sara Simionato
Co-Creative AI as a Tool for Vocal Improvisation and Textural Exploration
Format: Workshop
This interactive workshop uses co-creative AI as a partner in vocal improvisation, timbral exploration, and collective creation. Participants engage in guided improvisation experiments while exploring authorship, agency, and the role of technology in vocal pedagogy.
Sanne Stria
Was tun, wenn die Stimme wegbleibt!?
Format: Workshop
An interactive vocal health workshop on what singers and teachers can do when the voice becomes tired, unreliable, or disappears. The session includes anatomy, body-based exercises, warm-up strategies, rehearsal/performance do’s and don’ts, and practical prevention tools.
Patrik Thurner
Too Much Information – An Introduction to the Basic Anatomy of the Voice
Format: Open Classroom / Learning Zone
A clear and accessible introduction to the basic anatomy of the voice. This session offers a practical roadmap through the most relevant vocal structures, helping participants zoom in and out of anatomical detail without getting lost.
Ineke Vandoorn
Putting the Voice First: Perspectives on Vocal Improvisation
Format: Workshop
This singer-centered workshop approaches improvisation from the voice itself rather than from instrumental models. Participants explore sound, melody, phrasing, timing, and build-up while developing greater freedom and confidence as improvising singers.
Efrat Alony
Berlin-based singer and composer Efrat Alony, originally from Haifa, is one of the distinctive voices in European jazz. Her album Hollywood Isn’t Calling won Best Vocal Album of the Year at the 2022 German Jazz Awards, and her recent release Händel-Fast Forward received the 2024 Opus Klassik Award in the category Classical Music Without Borders. In her work, Alony moves between jazz, composition, storytelling, and classical influences, building bridges between musical worlds with a voice that is fully her own.
Dr. Ankita Deole Damle
Dr. Ankita Deole Damle is a Hindustani classical vocalist and scholar, trained for over two decades under Vidushi Padma Talwalkar and rooted in the Jaipur-Atrauli, Gwalior, and Kirana traditions. She performs internationally and teaches students around the world, sharing the rich talim she has received from her gurus through concerts, workshops, and lecture-demonstrations.
Miss BunPun
Miss BunPun mixes cheeky rap with smooth R&B vocals, bringing together sharp beats, glittering hooks, and lyrics with a clear point of view. Her songs are empowering, queer-feminist, anti-racist, and socially aware, speaking to themes such as body positivity, LGBTQIA+ visibility, patriarchal structures, and resistance to discrimination. With humor, confidence, and high energy, she turns serious topics into music that moves both the body and the mind.
Sabine Stieger
Sabine Stieger is an Austrian singer, musician, composer, and lyricist based in Vienna. Known for her work with the crossover group Global.Kryner and her solo Austro-Chanson project, she has released and contributed to numerous albums and received awards including the Amadeus Music Award and the Prix Pantheon. Alongside her artistic work, she teaches voice and performance, with a focus on interpretation, vocal opening, soul, blues, and music transformation.
Tuesday, September 8
11:00–14:00 | Registration / Arrival
Check-in and arrival before the official start.
14:00–14:25 | Whole Group | Konzertsaal
Welcome + PopVoxCon framing
14:25–15:20 | Whole Group | Konzertsaal
Guided Opening Panel – What Is Popular Voice Pedagogy Now?
15:20–15:30 | Transition
15:30–16:30 | Workshops
Track 1 | Konzertsaal
Ineke Vandoorn – Putting the Voice First: Perspectives on Vocal Improvisation
Track 2 | ArtKino
Sanne Stria – Was tun, wenn die Stimme wegbleibt!?
Track 3 | Klangtheater
Dena DeRose – Phrasing, Interpretation, and Vocal Musicianship in Jazz Singing
16:30–16:50 | Coffee Pause
Coffee, movement, and informal conversation
16:50–17:50 | Workshops
Track 1 | Konzertsaal
Sandra Amon-Kleissner / SAM live – Belting für Anfänger:innen: Ein Estill-basierter Zugang zu kraftvollem Singen ohne Druck
Track 2 | ArtKino
Bettina Krenosz – Explore Vocal Options in Pop, Rock, Jazz
Track 3 | Klangtheater
Annette Giesriegl – Gaining Flexibility and Comfortability through Scale-Singing in Indian Music
17:50–18:00 | Transition
18:00–18:40 | Concert + Artist Talk | Klangtheater
Efrat Alony – Concert + Interview/Q&A
Wednesday, September 9
08:30–09:00 | Whole Group | Konzertsaal
Group singing (optional gathering!)
09:00–09:10 | Transition
09:10–10:25 | Whole Group | Konzertsaal
Keynote – Dr. Trineice Robinson-Martin
10:25–10:45 | Coffee + Transition | Atrium
Coffee begins / optional keynote conversation starts
10:45–11:45 | Parallel Block + Coffee
Coffee / Atrium
Optional keynote signing / continued conversation
Track 1 | Konzertsaal
Gerald Marko – The Empowered Student: Applying Differentiated Voice Control to Enable Learner Autonomy and Self-Regulation
Track 2 | ArtKino
Sara Simionato – Co-Creative AI as a Tool for Vocal Improvisation and Textural Exploration
11:45–11:55 | Transition
11:55–12:55 | Workshops / Open Classroom
Track 1 | Konzertsaal
Patrik Thurner – Too Much Information: An Introduction to the Basic Anatomy of the Voice
Track 2 | ArtKino
Anna-Maria Niemand – In-Sync: Coordination in Ensemble Singing
Track 3 | Klangtheater
Corinne Mager – The Value of Visual Feedback in Voice Training
12:55–14:25 | Lunch
90 minutes
14:25–15:00 | Research Presentations
Track 1 | Konzertsaal
Romana Stieger – Up & Down!? Voice and Identity During Transition
Track 2 | ArtKino
Kelly Hoppenjans – AI Voice Clones, Embodied Knowledge, and the Future of Voice Work
15:00–15:10 | Coffee / Movement Pause
15:10–15:50 | Concert + One Parallel Option
Coffee / Atrium
Coffee remains available
Track 2 | ArtKino
Chris Tonelli – How to Sound the Multivocal, and What That Sounding Can Do
Track 3 | Klangtheater
Sabine Stieger – Concert + Q&A
15:50–16:00 | Transition
16:00–17:00 | Workshop / Research / Flexible Block
Track 1 | Konzertsaal
Ellie Martin – Using AI to Help Find Your Songwriting Voice
Track 2 | ArtKino
Eva Krammer – Complete Vocal Technique: Stimmhygiene und Rehabilitation
Track 3 | Klangtheater
Louisa Gibbs – Is There a Jazz Voice?
17:00–17:10 | Coffee / Movement Pause
Coffee / movement toward concert
17:10–18:10 | Concert + One Parallel Option
Coffee / Atrium
Coffee remains available
Track 2 | ArtKino
Birte Dalbauer-Stokkebæk – Mindfulness for Musicians / Upbeat! A Singer’s Story
Track 3 | Klangtheater
Ankita Deole Damle – Concert + Q&A
Thursday, September 10
08:30–09:00 | Whole Group | Konzertsaal
Group singing (optional gathering!)
09:00–09:10 | Transition
09:10–10:25 | Whole Group | Konzertsaal
Keynote – Dr. Louise Traser
10:25–10:45 | Coffee + Transition | Atrium
Coffee begins / optional keynote conversation starts
10:45–11:45 | Parallel Block + Coffee
Coffee / Atrium
Optional keynote signing / continued conversation
Track 2 | ArtKino
Anna Niemand & Kristen Murdaugh – Building Your Vocal Toolbox: Breath as a Gateway to Timbre Variation in CCM
11:45–11:55 | Transition
11:55–12:55 | Workshop / Panel Block
Track 1 | Konzertsaal
Mario Mrazek & Nina-Katharina Braith-Schall – Do We All Mean the Same Thing? Terminology in Contemporary Commercial Music Voice Pedagogy
Track 2 | ArtKino
Linda Kristengård – Vocal Painting: A Way of Improvising with Vocal Music
12:55–14:25 | Lunch
90 minutes
14:25–15:25 | Workshops / Flexible Block
Track 1 | Konzertsaal
Kaveri Sageder – Rhythm in Motion: Indian Rhythm, Groove & Vocal Expression through the Perspective of Kathak Dance
Track 2 | ArtKino
Joanna Sear – Closing the Gaps in Popular Music Singing Pedagogy: What Teacher Training Is Still Needed?
15:25–15:45 | Coffee Pause
Coffee / movement toward concert
15:45–16:25 | Concert + One Parallel Option
Coffee / Atrium
Coffee remains available
Track 2 | ArtKino
Fiona Stritt / Louisa Traser Research Group – Vocal Tract Efficiency of Different Voice Qualities
Track 3 | Klangtheater
Ursi / Miss BunPun – Concert + Q&A
16:25–16:35 | Transition
16:35–17:20 | Whole Group | Konzertsaal
Community Session – What Does Popular Voice Pedagogy Need Now?
17:20–17:35 | Whole Group | Konzertsaal
Closing / next steps
Chanda Rule Bernroider
Chanda Rule is a singer, songwriter, researcher, and Professor of Popular Voice Studies at ipop Institut für Popularmusik at mdw. Rooted in gospel, soul, and jazz, her work bridges performance, pedagogy, storytelling, and community singing.
With over 25 years of international performance experience, 20 years of leading workshops, and 8 years of university teaching, Chanda’s approach is experiential, breath-centered, playful, and soul-focused. She supports singers in discovering their individual sound — like an invisible fingerprint — while building a healthy, expressive, and sustainable vocal practice.
Her research explores gospel music, community singing, embodiment, and the transformative power of the voice, and has been shared through conferences, publications, and peer-reviewed journals.
Philipp Sageder
Philipp Sageder is a versatile vocalist, composer, producer, vocal educator, and Senior Lecturer at iPOP/mdw. He is best known as a member of the vocal groove project Bauchklang, with whom he has performed more than 900 concerts in 90 countries, released five studio albums and two live DVDs, and received five Amadeus Awards. His work with the ensemble reflects a deep engagement with rhythm, voice, groove, and collective sound-making.
Philipp completed his training as a CVT Authorised Teacher at the Complete Vocal Institute in Copenhagen in 2014. He studied jazz voice at the Anton Bruckner University, graduating with distinction in 2004. Alongside his performance career, he has worked as a composer and workshop leader in a wide range of settings. Together with Johannes Berauer, he composed Herzfluss for the 2008 Klangwolke in Linz, and he has led musical workshops for participants in the Burgtheater Wien project Stadtrecherchen. His solo performances have taken him to venues including the Musikverein Wien and Theater Rampe Stuttgart.
As an educator, Philipp offers workshops for people of all ages, focusing on rhythm, ensemble work, choir and vocal techniques, solo singing, and Indian rhythm. As a producer, composer, musician, and studio and live singer, he contributes to projects across contemporary dance, crossover classical productions, film music, electronic music, soul, jazz, and beyond.
Patrik Thurner
Patrik Thurner is a singer, composer/arranger, vocal teacher, choir director, and Senior Lecturer at iPOP/mdw – the Institute of Popular Music at the University of Music and Performing Arts Vienna. Based in Graz, Austria, he also teaches jazz/pop voice at the Johann-Joseph-Fux Conservatory.
He studied jazz voice performance, instrumental and vocal pedagogy in jazz voice, and jazz composition at the University of Music and Performing Arts Graz. His vocal teaching is also shaped by extensive specialist training: he is an Estill Master Trainer and Estill Mentor & Course Instructor (EMCI) in Estill Voice Training, as well as a certified Vocal Health First Aider through Vocal Health Education.
Patrik is the founder of the acclaimed a cappella group E NINE O FOUR, with whom he has won numerous prizes at international a cappella competitions. His newest project, STYV – Styrian Voices, brings together four coaches to mentor and develop a youth pop choir in Styria. He is also the artistic director and organizer of vokal.total, the renowned international a cappella competition held annually in Graz.
Here you will find a list of hotels or guesthouses that are either within walking distance or with good connections to public transport. Some of them are certified with the Austrian Ecolabel and are therefore especially recommended.
Mercure Grand Hotel Biedermeier Wien****
Landstraßer Hauptstraße 28, 1030 Wien
(3 minutes walk)
„MDW PopVoxCon 406139“ for special conference rates
(Reservation form)
magdas HOTEL
Ungargasse 38, 1030 Wien
(5 minutes walk)
HiLight Suites Hotel
Salesianergasse 2, 1030 Vienna
(6 minutes walk)
Self-Catering option (apartments):
b(l)ackhome – Vienna City Center
Neulinggasse 29, 1030 Wien
(6 minute walk)
Kibi Rooms GmbH***
Landstraßer Hauptstraße 33, 1030 Wien
(10 minutes walk)
NH Wien Belvedere****
Rennweg 12a, 1030 Wien
(10 minutes walk)
Lindner Hotel Vienna am Belvedere
Rennweg 12, 1030 Wien
(10 minutes walk)
Enzian Hotel Vienna
Rennweg 51, 1030 Vienna
(15 minutes walk)
Hotel Kunsthof***
Mühlfeldgasse 13, 1020 Wien
(13 minutes with public transportation)
WOMBATS Hostel am Naschmarkt GmbH
Rechte Wienzeile 35, 1040 Wien
(13 minutes with public transportation)
Hotel Praterstern
Mayergasse 6, 1020 Wien
(14 minutes with public transportation)
Novotel Wien City Hotel****
Aspernbrückengasse 1, 1020 Wien
(14 minutes with public transportation)
Motel One Wien-Westbahnhof
Europaplatz 3, 1150 Wien
(15 minutes with public transportation)
Motel One Wien-Staatsoper
Elisabethstraße 5, 1010 Wien
(15 minutes with public transportation)
Ruby Marie Hotel & Bar
Kaiserstraße 2-4, 1070 Wien
(17 minutes with public transportation)
Ibis Wien Hauptbahnhof***
Canettistraße 8, 1100 Wien
(19 minutes with public transportation)
Meininger Hotel Wien Downtown Franz
Rembrandtstraße 21, 1020 Wien
(19 minutes with public transportation)
The venue (Anton-von-Webern-Platz 1, 1030 Vienna) is centrally located and can be reached in less than half an hour by public transport, both from Vienna International Airport and the main train stations.
We recommend the journey by public transport. The mdwCampus can be reached barrier-free from the following stations within 550 meters (approx. 7 minutes on foot): S-Bahn | Wien Mitte, U3 | Landstraße, U4 | Stadtpark or Landstraße and the tram line 0 | Ungargasse/Neulinggasse. The lines run between 05:00 and 00:30 at intervals of 2 to 7 minutes.
There are plenty of bicycle parking spaces available directly at the event venue. The mdwCampus features a WienMobil bike station and a bike service kiosk (Building K).
Two parking spaces for people with physical disabilities are available at Anton-von-Webern-Platz. There are no other parking options for cars.

General Information
popvoxcon(at)mdw.ac.at
Conference Team
Chanda Rule Bernroider
rule-bernroider(at)mdw.ac.at
Philipp Sageder
sageder(at)mdw.ac.at
Patrik Thurner
thurner(at)mdw.ac.at
On-site tech & support (quick overview):
Sound setup:
1 microphone for the presenter + 1 microphone for audience questions
On-site point person:
Someone to welcome/introduce you, help with quick orientation, answer questions, and provide basic practical support (e.g., water, room flow)
Screen / projection:
Screen/projector with HDMI input (including audio through the system)
Laptop / files:
We can provide a laptop on site (preferred). Alternatively, you can bring your presentation via USB
Concerts:
Please email your technical requirements (tech rider / sound requirements) to popvoxcon@mdw.ac.at.
Technik & Support vor Ort (kurz zur Orientierung):
Sound-Setup:
1 Mikrofon für Presenter:in + 1 Mikrofon für Fragen aus dem Publikum
Vor Ort Ansprechperson:
Eine Person für Begrüßung/Moderation, kurze Einweisung, Fragen sowie organisatorische Unterstützung (z.B. Wasser, Raumablauf)
Screen/Beamer:
Screen/Projektionsmöglichkeit mit HDMI‑Anschluss (inkl. Ton über das System)
Laptop/Dateien:
Wir können einen Laptop vor Ort bereitstellen (bevorzugt). Alternativ: Präsentation via USB‑Stick
Konzerte:
Bitte technische Anforderungen (Tech Rider / Sound‑Requirements) vorab per E‑Mail an popvoxcon@mdw.ac.at senden.
